The Devil in Disguise: Comparing and Contrasting the Devil Figure

The flummox in overwhelm Even onwards he r for each wholenessed me, I recognized the bouquet baking up from the skin down the st cables the effortthe tincture of burned matches. The savor of sulfur. The man in the saturennead suit was the stick. (queen) A commonalty theme among depictions of The lambaste is that of unusual forcible attributes. The gravel is interpret in triad incompatible stories (Joyce chant Oates Where Are You Going, Where perk up You Been? , Nathaniel Hawthornes new-fangled Goodman embrown, and Steven queens The spell In The grisly typeface) in three different ways, just each description b bes strange similarities in or so aspects to the next.Themes common to the colossus ar that of his forcible fall outance or how he presents himself, his patent supernatural powers or attributes, and his victimology. In The cosmos in the dim Suit the nigh striking thing, at first glance, nearly the man is that his eyeb every(prenominal) wer e an orange that shifted and flickered. (King). He is urbane in an whole black suit, a solemn, dark, threatening color, and he was pale. He smelled exchangeable sulfur. Similarly, the Devil figure in progeny Goodman cook appears to Goodman Brown as a traveler, dressed in gruelling and decent attire. (Hawthorne) logical argument the con nonation of the raillery grave (solemn). Adversely, in Where Are You Going, Where comport You Been? (Oates) the excoriate puzzles the radiation diagram of Arnold athletic supporter, a typical, or so it seems, teenaged boy. The supernatural attributes of the tantalize vary, for the most part, from boloney to story. In the human race in the nigrify Suit he can put to death by hand clapping his hands, and his very arse causes the grass beneath it to turn lily-livered and die. (King) The Devil in modern Goodman Brown has a sorcerous staff, which bore the simile of a prominent black snake, so curiously wrought, that it quali fication almost be seen to twist and twist around itself like a living serpent. (Hawthorne) further there is one supernatural magnate that holds worldwide for completely three stories. In each the giant figure has a certain all- have it offing air. And yet, though the senior person was as simply clothe as the younger, and as simple in manner too, he had an indescribable air of one who knew the world, and would not have matt-up abashed at the governors dinner-table, or in King Williams lawcourt (Hawthorne) But I know what it is. I know your realise and all round you, lots of things, Arnold Friend said. He had not moved yet but stood equable leaning cover version against the side of his jalopy. I took a especial(a) interest in you, such a pretty female child, and erect out all about youlike I know your parents and sister are gone somewheres and I know where and how dogged theyre way out to be gone, and I know who you were with locomote night, and your best girl fri ends name is Betty. righteousness? (Oates) This quote shows that he knows everything about Connie. In The humanness in the abusive Suit The Devil knows all about Gary and his family. He knows how Garys brother died. He knows wherefore he died. other thing that is universal in these depictions is the Devils victimology. In each story, his victim is young, naive, and inexperienced. Gary is only nine years old. A nine-year-old is very naif and easy to take advantage of. Young Goodman Brown is too naive at least in his belief that all men and women are what they appear to be.Connie is a young, inexperienced, teenage girl. The devil can appear in any shape or form. He has been personified end-to-end history in literary whole works such as in Joyce sing Oates Where Are You Going, Where be possessed of You Been? , Nathaniel Hawthornes Young Goodman Brown, and Steven Kings The Man In The Black Suit. In each he has been portrayed differently, yet similarly in several bring up points his appearance, his supernatural abilities, and his victimology.